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Rahman was also issued an Guinness World Record certificate for being the composer of the original song which was ceremoniously presented to Rahman after his concert in Oakland, CA, USA on 12 September 2010. Indian singer Sai "Psychuck" Manapragada performed the track in 265 different languages (individually) and again in 277 languages (with chorus) to achieve this feat twice. The track also holds two Guinness World Records for being the song performed in the most languages. The popularity of the song was such that in 2002, when BBC World Service conducted an international poll to choose the ten most famous songs of all time from around 7000 songs selected from all over the world, "Maa Tujhe Salaam" was voted second. Sung by Rahman himself, the song has come to represent a feeling of patriotic unity for India and has been performed or played at several national and regional events in the country. The album also features "Gurus of Peace" which Rahman recorded with the late Pakistani Qawwali singer Nusrat Fateh Ali Khan.Ī critical and commercial hit, the title song from the album is one of India's most popular songs of all time. Ever since release, both the album and its title song "Maa Tujhe Salaam" have had a profoundly positive and unifying impact on the nationalistic and patriotic mood of the country. It was released on the Golden Jubilee anniversary of India's independence and has been instrumental in instilling a sense of patriotic pride and national unity amongst the people of India. It released on 9 December 1997 by Sony's music labels Columbia Records and SME Records. It is Sony Music India's largest-selling non-film album to date. By 1909, he had adapted the song and re-written it as a Tarana-e-Milli that spoke about a Muslim nation spread across central Asia, Arabia and India.Vande Mataram is a 1997 studio album by Indian musician A. * Later Iqbal became one of the proponents for the idea of Pakistan. Iqbal had originally composed this song called Tarana-e-Hind in 1904.
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* In 1933, when first objections to Vande Mataram were aired publicly, poet Allama Iqbal’s Saare Jahan Se Accha, Hindustan Hamara was sung along with it. Reports suggest it has been adopted as a regimental march song of the Indian Army. * The INA also had Qadam Qadam Badhaye Ja, the regimental quick march song written by Vanshidhar Shukla and composed by Ram Singh.
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The INA also created its own version of Jana Gana Mana in Hindi: Subh Sukh Chain Ki Barkha Barse, to replace Vande Mataram as its anthem for the Provisional Government for Free India in Singapore. * Jana Gana Mana was also used as the national anthem of the Indian National Army that was led by Subhas Chandra Bose and in Captain Ram Singh Thakuri, the INA had a composer par excellence. While some credit Pandit Ravi Shankar for the tune, there is no definite confirmation about the composer. * The most heard version that is used by All India Radio at the beginning of its daily programme has been composed in raag Des. * At the time of choosing the National Anthem of the country, composer Krishnarao Phulambrikar from Pune worked on the poem, creating variations on raag Jhinjhoti that can be sung easily by large assemblies and one that can be used as a marching song, to overcome various objections that were raised. Pandit Omkarnath Thakur, whose version in raag Kafi was popular, sung it on All India Radio on August 15, 1947. * In 1937, the Congress decided to use only the first two stanzas of the song leaving out the references to Hindu goddesses in the later half of the poem. In 1933, at the Kakinada convention, Maulana Ahmed Ali objected to Paluskar singing the song. * A composition of Vande Mataram by Pandit VD Paluskar on raag Kafi was favoured by Gandhiji and was often sung by Paluskar himself at Congress meetings. This version in Tagore’s own voice was released on gramophone record in 1904 and is now available on various online platforms. * Tagore’s rendition in 1896 was a much slower-paced one than what we are used to hear now. * Since Bankim himself was no musician, the poem has been scored countless times, using different ragas of Indian classical music by other musicians - with one report suggesting the first effort was even before Anandamath was published.